James Peale
1749-1831
James Peale Galleries
James Peale (1749 ?C May 24, 1831) was an American painter, best known for his miniature and still life paintings, and a younger brother of noted painter Charles Willson Peale.
Peale was born in Chestertown, Maryland, the second child, after Charles, of Charles Peale (1709?C1750) and Margaret Triggs (1709?C1791). His father died when he was an infant, and the family moved to Annapolis. In 1762 he began to serve apprenticeships there, first in a saddlery and later in a cabinetmaking shop. After his brother Charles returned from London in 1769, where he had studied with Benjamin West, Peale served as his assistant and learned how to paint.
Peale worked in his brother's studio until January 14, 1776, when he accepted a commission in the Continental Army as an ensign in William Smallwood's regiment. Within three months he was promoted to captain, and during the next three years fought in the battles of Long Island, White Plains, Trenton, Brandywine, Germantown, Princeton, and Monmouth. He resigned his army commission in 1779, and moved to Philadelphia to live with his brother. In 1782 he married, after which he established his own household and artistic career. (One notable later collaboration, however, was in 1788 to make floats for Philadelphia's Federal Procession in honor of the newly drafted United States Constitution.)
At the outset of his career Peale painted portraits and still-life, and by the mid-1780s had established his reputation. At about this time, however, Charles turned over his own miniature portrait practice to him, and throughout the 1790s and early 1800s Peale devoted himself to miniature painting. Much of this work was watercolor on ivory. In 1795 Peale exhibited a still life of fruit along with nine miniatures and his family portrait at the Columbianum, a short-lived art academy in Philadelphia. Around 1810, as Peale's eyesight began to weaken, he gave up painting miniatures to turn to large portraits and still-life subjects that were greatly admired and widely exhibited in Philadelphia, Boston, and Baltimore.
The total number of Peale's landscape paintings remains unknown, but he executed more than 200 watercolor miniatures on ivory, perhaps 100 still-life paintings, fewer than 70 oil portraits, and at least 8 history paintings.
Peale died in Philadelphia on May 24, 1831. Three of his six children became accomplished painters: Anna Claypoole Peale (1798?C1871), a miniaturist and still-life painter; Margaretta Angelica Peale (1795?C1882), painter of trompe l??oeil subjects and tabletop fruit; and Sarah Miriam Peale (1800?C1885), a portraitist and still-life painter. Related Paintings of James Peale :. | Still Life Balsam Apple and Vegetables | Ambush of Captain Allan McIane | Madame Dubocq and her Children | View on the Wissahickon | The Artist and His Family | Related Artists: Samuel ShelleyEnglish, 1750-1808 Gustaf Wilhelm PalmSwedish, 1810-1890,Swedish painter. He entered the Royal Academy of Arts in Stockholm in 1828, where he was a student of Carl Johan Fahlcrantz. Following a tour of Norway he went, via Copenhagen, to Berlin and Vienna for three years in order to seek a cure for an eye illness. He was influenced there by Biedermeier painting and Ferdinand Georg Waldm?ller, and also by the architectural painters Jakob Alt (1789-1872) and his son Rudolf Alt. REYNOLDS, Sir JoshuaEnglish Rococo Era Painter, 1723-1792
English painter, collector and writer. The foremost portrait painter in England in the 18th century, he transformed early Georgian portraiture by greatly enlarging its range. His poses, frequently based on the Old Masters or antique sculpture, were intended to invoke classical values and to enhance the dignity of his sitters. His rich colour, strong lighting and free handling of paint greatly influenced the generation of Thomas Lawrence and Henry Raeburn. His history and fancy pictures explored dramatic and emotional themes that became increasingly popular with both artists and collectors in the Romantic period. As first president of the Royal Academy in London, he did more than anyone to raise the status of art and artists in Britain. His Discourses on Art, delivered to the students and members of the Academy between 1769 and 1790,
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